When I'm drastically over the word count, I bring in re-enforcements. Often another person fresh to the work and unsentimental can spot the nonessential bits. Check out this piece, entitled Murder Your Darlings.
A technique I find useful is to outline the essay retroactively. I write down a short phrase that summarizes each paragraph, then one word stating its dominant emotion. First I examine the plot and emotional arc what journey am I taking the reader on? Do I repeat myself? Backtrack? Does the piece build to a climax and finish with some insight? Sometimes I copy the summaries onto scraps of paper and shuffle them around on the desk or floor. Thinking in another dimension can help.
A few other tricks to try:
- Make all verbs active ("the clown threw the pie," rather than ;"the pie was thrown by the clown)".
- Trade helping verbs and gerunds (was quacking) for simple tenses (quacked).
- Eliminate unnecessary prepositional phrases. Do we need to know that the cat curled on a blanket near the window in the living room under a sunbeam? Or just that Whiskers basked in a sunbeam? Be alert to those that repeat the obvious (in the film, on the website, in the country where you are traveling, etc).
- Use the possessive, rather than "of" clauses. For example: "The evil editor of Knitwear Monthly suffers red-pen fever" (9 words) becomes "Knitwear Monthly's evil editor suffers red-pen fever" (7 words).
- Replace adverbs with more precise verbs.
- Ditto adjectives: soup up your nouns instead.
- Ruthlessly root out word and phrase repetition. Often reading the piece aloud (or backward) helps spot terms you've echoed again and again, sometimes to no affect.
- "Actually" and "literally" sprinkle our conversations, but rarely need airing in print. Ax 'em. Also cut adjectives that intensify, rather than modify (like just, certainly, entirely, extremely, completely and exactly).
- Avoid sentences anchored by pronouns and verbs of being. For example, "it was Mr Portly in the foyer with a bullwhip who murdered her" (13 words) becomes "Mr Portly bullwhipped her to death in the foyer" (9 words). Readers respond better to characters in action, anyway.
- Trim restatements (a sultry, sexy fandango).
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